Laura Lippman
Since her debut in 1997, New York Times bestseller Laura Lippman has been recognized as one of the most gifted and versatile crime novelists working today. Her series novels, stand-alones and short stories have all won major awards, including the Edgar and the Anthony, and her work has been translated into more than 25 languages. A former Baltimore Sun journalist, she has written for the New York Times, the Wall Street Journal, the Washington Post, O, The Oprah Magazine, Real Simple, Glamour and Longreads. "Simply one of our best novelists, period," the Washington Post said upon the publication of the ground-breaking What the Dead Know. She lives in Baltimore and New Orleans with her teenager.
Prom Mom
Forthcoming July 2023
New York Times bestseller Laura Lippman tells the story of Amber Glass, desperately trying to get away from her tabloid past but compulsively drawn back to the city of her youth and the prom date who destroyed everything she was reaching for.
Amber Glass has spent her entire adult life putting as much distance as possible between her and her hometown of Baltimore, where she fears she will forever be known as “Prom Mom”—the girl who allegedly killed her baby on the night of the prom after her date, Joe Simpson, abandoned her to pursue the girl he really liked. But when circumstances bring Amber back to the city, she realizes she can have a second chance—as long as she stays away from Joe, now a successful commercial real estate developer, married to a plastic surgeon, Meredith, to whom he is devoted.
The problem is, Amber can’t stay away from Joe. And Joe finds that it’s increasingly hard for him to ignore Amber, if only because she remembers the boy he was and the man he said he was going to be. Against the surreal backdrop of 2020 and early 2021, the two are slowly drawn to each other and eventually cross the line they’ve been trying not to cross.
And then Joe asks Amber to help him do the unthinkable…
Dream Girl
Aubrey, the title character of Gerry Andersen’s most successful novel, Dream Girl, is so captivating that Gerry’s readers insist she’s real. Gerry knows she exists only in his imagination. So how can Aubrey be calling Gerry, bed-bound since a freak fall? A virtual prisoner in his penthouse, Gerry is dependent on two women he barely knows: his incurious young assistant, and a dull, slow-witted night nurse.
Could the cryptic caller be one of his three ex-wives playing a vindictive trick after all these years? Or is she Margot, an ex-girlfriend who keeps trying to insinuate her way back into Gerry’s life?
And why does no one believe that the call even happened?
Isolated from the world, drowsy from medication, Gerry slips between reality and dreamlike memories: his faithless father, his devoted mother; the women who loved him, the women he loved.
Now here is Aubrey, threatening to visit him, suggesting that Gerry owes her something. Is the threat real or a sign of dementia? Which scenario would he prefer? Gerry has never been so alone, so confused – and so terrified.
And then he wakes up to another nightmare—a woman’s dead body next to his bed—and the terrifying uncertainty of whether he is responsible.
Lady in the Lake
Filmed with Natalie Portman and Moses Ingram for Apple+. Will Stream in early 2024.
In 1966, Baltimore is a city of secrets that everyone seems to know—everyone, that is, except Madeline “Maddie” Schwartz. Last year, she was a happy, even pampered housewife. This year, she’s bolted from her marriage of almost twenty years, determined to make good on her youthful ambitions to live a passionate, meaningful life.
Maddie wants to matter, to leave her mark on a swiftly changing world. Drawing on her own secrets, she helps Baltimore police find a murdered girl—assistance that leads to a job at the city’s afternoon newspaper, the Star. Working at the newspaper offers Maddie the opportunity to make her name, and she has found just the story to do it: Cleo Sherwood, a missing woman whose body was discovered in the fountain of a city park lake.
If Cleo were white, every reporter in Baltimore would be clamoring to tell her story. Instead, her mysterious death receives only cursory mention in the daily newspapers, and no one cares when Maddie starts poking around in a young Black woman's life—except for Cleo's ghost, who is determined to keep her secrets and her dignity. Cleo scolds the ambitious Maddie: You're interested in my death, not my life. They're not the same thing.
Maddie’s investigation brings her into contact with people that used to be on the periphery of her life—a jewelry store clerk, a waitress, a rising star on the Baltimore Orioles, a patrol cop, a hardened female reporter, a lonely man in a movie theater. But for all her ambition and drive, Maddie often fails to see the people right in front of her. Her inability to look beyond her own needs will lead to tragedy and turmoil for all sorts of people—including Ferdie, the man who shares her bed, a police officer who is risking far more than Maddie can understand.
Sunburn
New York Times bestselling author Laura Lippman returns with a superb novel of psychological suspense about a pair of lovers with the best intentions and the worst luck: two people locked in a passionate yet uncompromising game of cat and mouse. But instead of rules, this game has dark secrets, forbidden desires, inevitable betrayals—and cold-blooded murder.
One is playing a long game. But which one?
They meet at a local tavern in the small town of Belleville, Delaware. Polly is set on heading west. Adam says he’s also passing through. Yet she stays and he stays—drawn to this mysterious redhead whose quiet stillness both unnerves and excites him. Over the course of a punishing summer, Polly and Adam abandon themselves to a steamy, inexorable affair. Still, each holds something back from the other—dangerous, even lethal, secrets.
Then someone dies. Was it an accident, or part of a plan? By now, Adam and Polly are so ensnared in each other’s lives and lies that neither one knows how to get away—or even if they want to. Is their love strong enough to withstand the truth, or will it ultimately destroy them?
Something—or someone—has to give.
Wilde Lake
Luisa “Lu” Brant is the newly elected state’s attorney representing suburban Maryland—including the famous planned community of Columbia, created to be a utopia of racial and economic equality. Prosecuting a controversial case involving a disturbed drifter accused of beating a woman to death, the fiercely ambitious Lu is determined to avoid the traps that have destroyed other competitive, successful women. She’s going to play it smart to win this case—and win big—cementing her political future.
But her intensive preparation for trial unexpectedly dredges up painful recollections of another crime—the night when her brother, AJ, saved his best friend at the cost of another man’s life. Only eighteen, AJ was cleared by a grand jury. Justice was done. Or was it? Did the events of 1980 happen as she remembers them? She was only a child then. What details didn’t she know?
As she plunges deeper into the past, Lu is forced to face a troubling reality. The legal system, the bedrock of her entire life, does not have all the answers. But what happens when she realizes that, for the first time, she doesn’t want to know the whole truth?
After I’m Gone
When Felix Brewer meets Bernadette “Bambi” Gottschalk at a Valentine’s Dance in 1959, he charms her with wild promises, some of which he actually keeps. Thanks to his lucrative—if not all legal—businesses, she and their three little girls live in luxury. But on the Fourth of July, 1976, Bambi’s comfortable world implodes when Felix, newly convicted and facing prison, mysteriously vanishes.
Though Bambi has no idea where her husband—or his money—might be, she suspects one woman does: his mistress, Julie. When Julie disappears ten years to the day that Felix went on the lam, everyone assumes she’s left to join her old lover—until her remains are eventually found.
Now, twenty-six years after Julie went missing, Roberto “Sandy” Sanchez, a retired Baltimore detective working cold cases for some extra cash, is investigating her murder. What he discovers is a tangled web stretching over three decades that connects five intriguing women. And at the center is the missing man Felix Brewer.
Somewhere between the secrets and lies connecting past and present, Sandy will find the truth. And when he does, no one will ever be the same.
And When She Was Good
Her brilliant stand-alone novel, And When She Was Good, only reinforces the fact that she stands tall among today’s bestselling elite—including Kate Atkinson, Tana French, Jodi Picoult, and Harlan Coben (who raves, “I love her books!”) Based on her acclaimed, multi-award-nominated short story "Scratch a Woman," And When She Was Good is the powerfully gripping, intensely emotional story of a suburban madam, a convicted murderer whose sentence is about to be overturned, and the child they will both do anything to keep.
The Most Dangerous Thing
Set once again in the well-wrought environs of Lippman’s beloved Baltimore, this is the shadowy tale of a group of onetime friends forced to confront a dark past they’ve each tried to bury following the death of one of their number. Rich in the compassion and insight into flawed human nature that has become a Lippman trademark while telling an absolutely gripping story, The Most Dangerous Thing reaches out to capture a wide, diverse audience.
I’d Know You Anywhere
Laura Lippman, New York Times bestselling author of Lady in the Lake, Life Sentences, and the acclaimed Tess Monaghan p.i. series, delivers a stunning stand-alone novel that explores the lasting effects on lives touched by crime. With I’d Know You Anywhere, Lippman—master of mystery and psychological suspense, winner of every major literary prize given for crime fiction, including the Edgar®, Agatha, and Nero Wolfe Awards—tells a gripping and richly textured tale of a young woman whose life dangerously entwines once again with a man on Death Row who had kidnapped her when she was a teenager. This is superior mystery writing in the vein of Kate Atkinson.
Life Sentences
A successful memoirist returns home to Baltimore searching for inspiration for her next book. When she discovers an old classmate is accused of a heinous crime, she decides to braid this tragic story with reminiscences of her grade school years. To the writer’s dismay, her friends—motivated by anger, perhaps jealousy—seem determined to sabotage her efforts, leaving her to persevere alone.
As she digs deeper into the tragedy surrounding her old classmate, the writer begins to see that everything she thought she knew about her life might be quite different. And if she wants to pursue the truth in this modern-day story, she may have to pay the price of living with uncomfortable truths, about her father, her past, and herself.
With her deep intelligence, unerring eye for detail, and unwavering compassion, Laura Lipmann raises difficult, illuminating questions about the nature of memory and truth. Life Sentences explores the stories we tell ourselves about ourselves, asking whether anyone can truly own any story—even their own.
What the Dead Know
When he’s called to the scene of an accident detective Kevin Infante is drawn into a shocking and puzzling crime that still haunts the Baltimore P.D. Twenty years ago, two little girls were kidnapped from a shopping mall, igniting fear and anger throughout the city.
Now, a clearly disoriented woman involved in the accident claims to be one of the missing girls. But instead of closing the case, her appearance marks the beginning of a nightmare that will once again rock Baltimore and threaten everyone it touches. The woman claims one of Baltimore’s beloved cops snatched her and her sister. Is it the truth-or the ravings of a damaged mind? There isn’t a shred of evidence to support her story: The cop is dead and her parents can’t verify the woman is even their daughter, for both girls were adopted and do not share their DNA. And who is the body in the unmarked grave the girl reveals?
With the department’s reputation, a dead man’s honor, and his own badge on the line, Infante must go back to a past he barely knows to find answers—and maybe even justice—once and for all.
To the Power of Three
Lippman’s brilliant and disturbing tale of three inseparable high school girlfriends in an affluent Baltimore suburb who share dark secrets literally until death, To the Power of Three is this “writing powerhouse” (USA Today), who has “exploded the boundaries of the mystery genre to become one of the most significant social realists of our time” (Madison Smartt Bell) operating at the very top of her game. Not merely crime fiction, but fiction that gets to the deep psychological, emotional, and human roots of a terrible crime, Lippman’s novel is one that will not be easily forgotten.
Every Secret Thing
A Major Motion Picture starring Elizabeth Banks, Diane Lane, and Dakota Fanning
Every Secret Thing is a riveting story of love and murder, guilt and innocence, adult sins and childhood darkness that the New York Times Book Review hailed as, “powerful…disturbing.” Stepping away from her acclaimed, award-winning mystery series featuring Baltimore private investigator Tess Monaghan, author Laura Lippman has delivered a novel of psychological suspense that will shock and mesmerize readers, gripping them to the page while breaking their hearts. The tale of a terrible event that devastates three families, after two young girls discover by of an unsupervised baby on an empty street, Every Secret Thing is a bravura demonstration of the extraordinary storytelling skill that has won Laura Lippman every major literary prize bestowed upon mystery writers, including the Edgar®, the Anthony, the Shamus, and the Agatha Awards.
Baltimore Blues
In a city where someone is murdered almost every day, attorney Michael Abramowitz's death should be just another statistic. But the slain lawyer's notoriety—and his taste for illicit midday trysts—make the case front-page news in every local paper except the Star, which crashed and burned before Abramowitz did.
A former Star reporter who knows every inch of this town—from historic Fort McHenry to the crumbling projects of Cherry Hill—now-unemployed journalist Tess Monaghan also knows the guy the cops like for the killing: cuckolded fiancé Darryl "Rock" Paxton. The time is ripe for a career move, so when rowing buddy Rock wants to hire her to do some unorthodox snooping to help clear his name, Tess agrees.
But there are lethal secrets hiding in the Charm City shadows. And Tess's own name could end up on that ever-expanding list of Baltimore dead.
Charm City
PI Tess Monaghan is ecstatic to hear the news that business tycoon Gerard “Wink” Wynkowski wants to bring pro-basketball back to Baltimore. But when Wink’s checkered past—which runs the gamut from domestic abuse and compulsive gambling to armed robberies and even manslaughter—makes the front page of the Baltimore Beacon-Light, aka the “Blight” his project is jeopardized. No one is more surprised at the exposé than the editors of the paper who were certain they killed the piece. Hoping to uncover who hacked into their computers, the newspaper hires Tess.
But soon after the story on Wink runs, he’s found asphyxiated in his garage with his car’s engine running. Suicide appears to be the cause of his death—and everyone is blaming the “Blight” for airing his dirty laundry and sending him into the downward spiral that led to his demise. But the more Tess uncovers about Wink, the more she’s convinced that someone with an axe to grind wanted him dead and was willing to go as far as murdering him.
And if this all weren’t enough to keep her plate full, Tess must also find the lowlifes who roughed up her uncle—the same men who are intent on getting back a prized Greyhound dog which she’s currently looking after while her uncle recuperates.
Butchers Hill
Tess Monaghan has finally made the move and hung out her shingle as a p.i.-for-hire, complete with an office in Butchers Hill. Maybe it’s not the best address in Baltimore, but you gotta start somewhere, and Tess’s greyhound Esskay has no trouble taking marathon naps anywhere there’s a roof. Then in walks Luther Beale, the notorious vigilante who five years ago shot a boy for vandalizing his car. Just out of prison, he says he wants to make reparations to the kids who witnessed his crime, so he needs Tess to find them. But once she starts snooping, the witnesses start dying. Is the “Butcher of Butchers Hill” at it again? Like it or not, Tess is embroiled in a case that encompasses the powers-that-be, a heartless system that has destroyed the lives of children, and a nasty trail of money and lies leading all the way back to Butchers Hill.
In Big Trouble
What begins with a tantalizing shard of a newspaper headline—”In Big Trouble”—above a photograph of an old boyfriend will end far away in another world, where people dress and talk differently . . . and rich people’s games can have lethal consequences. Here where the sun is merciless—and curiosity can kill faster than a rattler’s bite—Tess is going to have to confront her past and, with hope, live to tell about it. For the answers she seeks about a man she thought she knew may be somehow linked to a murderer who two-steps to a very deadly drummer.
The Sugar House
A client named Ruthie — who seems to know Tess’s father a little too well — asks the newspaperwoman-turned-p.i. to investigate a year-old “Jane Doe” murder and its grim aftermath. Ruthie’s low-life brother, Henry, confessed to killing a teenager runaway over a bottle of glue — and, a month into his prison term, he met the same fate as his victim. Following a precious few tantalizing clues, Tess sets off on a path that is leading her from Baltimore’s exclusive Inner Harbor to the city’s seediest neighborhoods. But it’s the shocking discovery of the runaway’s true identity that turns her hunt deadly. Suddenly a supposedly solved murder case is turning up newer, fresher corpses and newer, scarier versions of the Sugar House — places that look sweet and safe…but only from the outside.
In a Strange City
For the past fifty years on the birth date of Edgar Allan Poe, a person wearing a cloak has placed three roses and a half bottle of cognac on the writer’s gravesite. PI Tess Monaghan has never witnessed the event. But when John P. Kennedy, an eccentric antiques dealer, asks her to uncover the identity of the caped visitor, who he believes has duped him with the sale of an inauthentic antique, Tess decides to hold vigil on the night the cloaked stranger is expected to make an appearance. But the custom takes on a bizarre, fatal twist when two cloaked figures arrive. The imitator leaves his tribute and then makes his escape…after shooting the first visitor.
Warning bells tell Tess to steer clear of this case. But when roses and cognac appear on her doorstep, Tess’s curiosity is piqued. She soon discovers that John P. Kennedy has vanished into thin air and much of what he told her was questionable. Then the identity of the shooting victim comes to light, and all clues seem to point to the possibility he was the target of a hate crime. But Tess isn’t convinced. What was his connection to the decades-long Edgar Allan Poe tradition and to the killer? When more cryptic clues are left at her home, Tess realizes that someone is watching her every move...someone who’s bent on killing again.
The Last Place
Tess Monaghan agrees to look into a series of unsolved homicides that date back over the past six years despite the fact that the assignment originates from a troubling source: wealthy Baltimore benefactor Luisa O’Neal, who was both instrumental in launching Tess’s present career and intimately connected with the murder of Tess’s former boyfriend.
Apart from the suspicion that each death was the result of domestic violence, nothing else seems to connect them. Five lives—four women, one man—ended in various ways. The only thing the five cases seem to have is that they are now ice cold. Tess’ search for the connecting threads takes her beyond the Charm City limits and into dangerously unfamiliar territory. With the help of a police officer obsessed with bringing a murderer down, she follows scant leads into the remotest corners of Maryland, where a psychopath can hide as easily in the fabric of a tiny, rough-hewn fishing community as in the alleys and shadows of bustling Baltimore.
As she strays far from everything that’s familiar and safe in her life, Tess is suddenly cast into a terrifying cat-and-mouse game with an ingenious slayer who changes identities as often and effortlessly as clothing. But at last, a single link to the murders emerges. Unfortunately, it's Tess.
By A Spider’s Thread
Mark Rubin's family is missing—and the police won't get involved because all the evidence indicates that his wife left willingly. So the successful Baltimore furrier turns to Tess Monaghan, hoping she can help him find his wife and three children. Tess doesn't quite know what to make of Rubin, who doles out vitally important information in grudging dribs and drabs. According to her client, he and his beautiful wife, Natalie, had a flawless, happy marriage. Yet one day, without any warning or explanation, Natalie gathered up their children and vanished.
Tapping into a network of fellow investigators spread across the country, Tess is soon able to locate the runaway wife and the children who have been moving furtively from state to state, town to town. But the Rubins are not alone. A mysterious man is traveling with them, a stranger described by witnesses as handsome and charming but otherwise unremarkable. And the deeper Tess digs, the more she suspects that the motive behind Natalie's reckless flight lies somewhere in the gap between what Rubin will not say and what he refuses to believe.
An intricate web of betrayal and vengeance is already beginning to unfold, as memory begets rage, and rage begets desperation...and murder. Suddenly, much more than one man's future happiness and stubborn pride are in peril. For the lives of three innocent children are dangling by the slenderest of threads.
No Good Deeds
For Tess Monaghan, the unsolved murder of a young federal prosecutor is nothing more than a theoretical problem, one of several cases to be deconstructed in her new gig as a consultant to the local newspaper. But it becomes all too tangible when her boyfriend, Crow, brings home a young street kid who’s a juvenile con artist and who doesn’t even realize he holds an important key to the sensational homicide.
Tess agrees to protect the boy’s identity no matter what, especially when one of his friends is killed in what appears to be a case of mistaken identity. But as she soon discovers, her ethical decision to protect him has dire consequences. And with federal agents determined to learn the boy’s name at any cost, Tess finds out just how far even official authorities will go to get what they want.
It isn’t long before Tess finds herself facing felony charges. To make matters worse, Crow has gone into hiding with his young protégé. So Tess can’t deliver the kid to investigators even if she wants to. Now her only recourse is to get to the heart of the sordid and deadly affair while they're all still free...and still breathing.
Another Thing to Fall
When private investigator Tess Monaghan literally runs into the crew of the fledgling TV series Mann of Steel while sculling, she expects sharp words and evil looks, not an assignment. But the company has been plagued by a series of disturbing incidents since its arrival on location in Baltimore: bad press, union threats, and small, costly on-set "accidents" that have wreaked havoc with its shooting schedule. As a result, Mann's creator, Flip Tumulty, the son of a Hollywood legend, is worried for the safety of his young female lead, Selene Waites, and asks Tess to serve as her bodyguard. Tumulty's concern may be well founded. Recently, a Baltimore man was discovered dead in his home, surrounded by photos of the beautiful—if difficult—aspiring star.
In the past, Tess has had enough trouble guarding her own body. Keeping a spoiled movie princess under wraps may be more than she can handle since Selene is not as naive as everyone seems to think, and instead is quite devious. Once Tess gets a taste of this world of make-believe—with their vanities, their self-serving agendas, and their remarkably skewed visions of reality—she’s just about ready to throw in the towel.
But she’s pulled back in when a grisly on-set murder occurs, threatening to topple the wall of secrets surrounding Mann of Steel as lives, dreams, and careers are scattered among the ruins.
The Girl in the Green Raincoat
In the third trimester of her pregnancy, Baltimore private investigator Tess Monaghan is under doctor’s orders to remain immobile.
Bored and restless, reduced to watching the world go by outside her window, she takes small comfort in the mundane events she observes . . . like the young woman in a green raincoat who walks her dog at the same time every day. Then one day the dog is running free and its owner is nowhere to be seen. Certain that something is terribly wrong, and incapable of leaving well enough alone, Tess is determined to get to the bottom of the dog walker’s abrupt disappearance, even if she must do so from her own bedroom. But her inquisitiveness is about to fling open a dangerous Pandora’s box of past crimes and troubling deaths . . . and she’s not only putting her own life in jeopardy but also her unborn child’s.
Hush Hush
Tess Monaghan has encountered almost every possible criminal motive throughout her career: greed, revenge, jealousy, rage. But there are crimes that defy all attempts at understanding, where a search for motive seems pointless.
Melisandre Harris Dawes committed such a crime. Found not guilty by reason of insanity, she fled the country, leaving her two daughters with their father. Twelve years later, she’s back in Baltimore, and Tess is asked to provide security detail while Melisandre films a documentary about her attempts to reconcile with her now teenaged children.
Tess, juggling work with caring for her demanding toddler, is uneasy about the case. Still, Melisandre’s lawyer is family. And there is something about the woman herself—confident, beautiful, shrewdly intelligent—that draws Tess in. Is she a master manipulator or someone who was driven to temporary madness? Cold and calculating, or a mother concerned for her daughters’ well being? Someone is leaving Melisandre enigmatic, threatening notes. Soon Tess, insecure about her parenting abilities and receiving cryptic messages of her own, isn’t sure whether she should be protecting Melisandre from harm—or protecting everyone else from Melisandre.
When Melisandre becomes the prime suspect in a murder, Tess must uncover the truth. Doing so will mean confronting her deepest beliefs about what separates good parents from bad, madness from sanity, and what lengths even the most rational person will go to, to protect what they cherish most.
My Life as a Villainess
In this collection of new and previously published essays, New York Times bestselling author Laura Lippman offers her take on a woman's life across the decades. Her childhood and school years, her newspaper career, her experiences as a novelist—Lippman finds universal touchstones in an unusual life that has as many twists as her award-winning crime fiction.
Essays include:
· Men Explain The Wire to Me
· Game of Crones
· My Life as a Villainess
· My Father’s Bar
· The 31st Stocking
These candid essays offer long-time readers insight into the experiences that helped Lippman become one of the most successful crime novelists of her generation.
Seasonal Work: Stories
The award-winning master of psychological suspense is in top form in this collection of diverse and diabolically clever stories.
In the never-before-published “Just One More,” a married couple—longing for that old romantic spark—creates a playful diversion that comes with unexpected consequences.
Lippman’s beloved Baltimore PI Tess Monaghan keeps a watchful eye on a criminally resourceful single father in “Seasonal Work,” while her mother, Judith, realizes that the life of “The Everyday Housewife”is an excellent cover for all kinds of secrets.
In “Slow Burner,” a husband’s secret cell phone proves to be a dicey temptation for a suspicious wife.
A father’s hidden past piques the curiosity of a young snoop in “The Last of Sheila-Locke Holmes.”
Plus seven other brilliantly crafted stories of deception, murder, dangerous games, and love gone wrong—irrefutable evidence that Laura Lippman’s riveting fiction will more than satisfy any crime reader.
Hardly Knew Her
Laura Lippman brilliantly demonstrates her astonishing agility as a short story writer with Hardly Knew Her. A sterling collection of sixteen suspenseful short fictions and novellas—most set in and around her beloved Baltimore and several featuring her popular series character private investigator Tess Monaghan—Hardly Knew Her was called, “Riveting…One of the best collections released in some time” by the Boston Globe. The Seattle Times says, “something in the short-story form brings out the wicked in Laura Lippman,” and this exceptional collection is indisputable proof that Lippman is without peer as she walks boldly on the dark and dangerous side.